![]() ![]() The instrument features most of the raw waveforms from Korg’s PCM series of slot-in cards as standard. But we don’t judge a synth by its colour, do we? Especially if it features a flexibly assignable vacuum tube circuit, as initially seen on the company’s latest Electribes! Extreme loses some of the overt expandability of the Studio range, but in the area that we’d most like to expand – sounds – you don’t have to worry. First of all, it genuinely is a repackage job, losing – sadly, it must be said – the classic silver look that the company’s followed from 1995’s Trinity to the Triton Studio range launched in ‘02. Well, that’s just what Korg has apparently done with their top-notch Triton range. Take a range of sampling workstation synths from a major manufacturer and repackage them with more desirable features and release the result for less money. 30 September 2004 Derek Johnson assesses what makes this Triton so extreme.
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